Three women dressed in pinks running-in-circles for cancer question the possibility of a cure.
In 2011 Asking4It Productions produced Butcher in Chapter, Cardiff.
Written by Sue Jickells and Jane Fox with music by James Flight, Butcher was an examination of the highly profitable cancer industry.
The medical profession.
Pharmaceutical and cancer fundraising industries.
Surgical removal of healthy breasts and other organs.
Butcher tackles them all.
Circus top set, seating in-the-round. Performers examine audience members with probes and sculptural appendages. Film of DNA and surgical incisions is projected on the red drapes.
Many people believe cancer is fatally encoded in the genes and is unavoidable. After all, we’re told there’s a fatalistic ‘killer-gene’ on the rampage. And why not when the pharmaceutical industry, research departments and NHS all depend on its perpetuation?
Butcher is an entertaining attempt to redefine cancer and challenges the status quo within the fields of biomedical science: genetics, the pharamceutical industry, surgery, chemo and radiotherapy.
It questions the surgical removal of healthy breasts when there is a positive family history or predisposing BRCA genes are present.
Health Promotion remains unfashionable even though research demonstrates that many cancers are preventable.
Epi-genetic scientists examine the impact of fear, negative thoughts and environmental pollutants on the health of the cell. There is potential for the reversal of damage within the cell.
We live in an increasingly polluted world: our air, water and soil are changing dramatically. Is this still preventable?
I admire your great courage in tackling such a contentious and frightening subject. Butcher has been one of the most memorable theatrical performances I have ever seen. Brenda Oakes
The sculptural heads explore organ accumulations; internal matter becomes external and explicit and the tools of the trade such as examination probes and flashing lights are embedded in the tissues. Multiples of spectacles are used to question sight and myopia and mirrors to reflect. The reversed white cross on the red apron references doctors-as-gods.
Strait-Jackets lending the hands into stumps and military references were used to juxtapose wars with bodily invasion and occupation. Design ideas for military uniform were global but non-specific with the intention of exploring universal themes of brutalism within Butcher.
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